Turned On is powered by Inflyte – the world’s fastest growing music promo platform. Known separately as Jason Ward & Jay Ward, these two expert producers have come together to revive that original Speed Garage sound. A four tracker from the Birmingham’s finest, Dubplate Pressure. ![]() Subscribe to Monologues, my podcast series where producers mix only their own productions. This limited 12' press will shortly be available for your listening pleasure. Subscribe to RecordReplay, my £10 budget second-hand vinyl mixtape series. If you want to support me in another way, please give this podcast a 5-star review, repost it on Mixcloud or SoundCloud or buy/stream my music.įollow me on Songkick to receive alerts when I’m playing near youīookings: more new music + exclusive premieres on SoundCloudįollow the Turned On Spotify playlist, with over 2300 tracks played on this show and in my sets. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads, exclusive mixes, exclusive previews of my tracks and extended versions of my club sets. Mystical Influences Dubplate Pressure featuring MC GQ and MC Fearless. You will see the progress of the file transfer. Dubplate Pressure (original) by MYSTICAL INFLUENCE, released 13 March 2021. Their first venture comes in the form of 4TM001, a 16 track compilation featuring. 2) Click the 'Start Upload' button to start uploading the file. The people behind UKG brands Dim Sum Records, Shuffle ‘n’ Swing and Earful of Wax have joined forces to bring For The Massive a new project with a focus of raising funds for NHS charities and BAME initiatives whilst also supporting the artists. ![]() You can then select photos, audio, video, documents or anything else you want to send. Turned On is supported by my Patreon followers. Benefits of using Zippyshare: 1) Select a file to send by clicking the 'Browse' button. Catch me next at Monologues at TOLA, London on 24.09.22 with Kassian + Michelle Manetti (free before 10pm) Recorded live at Pleasurehood at XOYO, London 10.09.22. Seriously deep and ruff AF original Housed in debossed, screen-printed paper sleeve lined with antistatic. A new 45 with the A side taken from the forthcoming Lee Perry album on Pressure Sounds Sound System ScratchA superb Black Ark dub plate previously.
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Yes! Questions will be handled live by Pierre in accordance with our User Content Guidelines.Īlternatively, if you have any topics or questions that you would like answered during the session, you may send your question via email to. Plus, get a hands-on lesson on how to use BTCPay Server that includes a live demonstration of the software and an open question-and-answer forum.īusiness owners, finance and accounting professionals and payments experts considering how to use Bitcoin for digital cash transactions and as a reserve for uncertain future contingencies. The benefits of Bitcoin for reducing uncertainty and boosting record-keeping.How businesses can buy and sell Bitcoin at Kraken.Different ways to integrate BTCPay Server in your business. ![]()
![]() The noise levels in the spectrum generated from two sources, geophony and biophony, have been observed to vary between diurnal and lunar phases and also between seasons. In this study, the soundscape in shallow waters of the eastern Arabian Sea is explored through passive acoustic measurements in a time series between October 2015 and January 2016. The study of soundscapes is an emerging field of research that attempts to provide important baseline information on environmental conditions and biological compositions. Thermal noise, the result of Brownian motion of water molecules near the hydrophone, is the dominant noise source above about 60 kHz. At high frequencies, acoustic attenuation becomes extreme so that all noise sources are confined to an area close to the receiver. military and mapping), as well as small vessels, contribute anthropogenic noise at mid-frequencies. ![]() Ambient noise in the mid-frequency band is primarily due to sea-surface agitation: breaking waves, spray, bubble formation and collapse, and rainfall. Medium frequency sound cannot propagate over long ranges, owing to greater attenuation, and only local or regional (10s of km distant) sound sources contribute to the ambient noise field. During this time, oil exploration and construction activities along continental margins have moved into deeper water, and the long-range propagation of seismic signals has increased. Over the past few decades the shipping contribution to ambient noise has increased by as much as 12 dB, coincident with a significant increase in the number and size of vessels comprising the world's commercial shipping fleet. Shipping and seismic sources contribute to ambient noise across ocean basins, since low-frequency sound experiences little attenuation, allowing for long-range propagation. The low-frequency band is dominated by anthropogenic sources: primarily, commercial shipping and, secondarily, seismic exploration. Different noise sources are dominant in each of 3 frequency bands: low (10 to 500 Hz), medium (500 Hz to 25 kHz) and high (>25 kHz). Ocean ambient noise results from both anthropogenic and natural sources. The quiet nature of this site in the absence of local ships allows correlation of wind speed to wave noise across the 10-220 Hz spectral band of this study. The median noise levels at this site are low for an open water site due to the poor acoustic propagation and low average wind speeds. Biological sounds and the sound of wind driven waves controlled ambient noise levels in the absence of local ships. Median levels including local ships are 6-9 dB higher than median levels chosen from times when local ship noise was absent. Local ship noise, however, was present in 31% of the recordings in 1963 but was present in 89% of the recordings in 2005-2006. When noise from local ships was excluded from the 2005-2006 recordings, median sound levels were essentially the same as were observed in 19. Navy reports document ambient noise levels at this site in 64 and a seafloor recorder documents noise during 2005-2006. Repeated ocean ambient noise measurements at a shallow water (110 m) site near San Clemente Island reveal little increase in noise levels in the absence of local ships. Second, except for a few summer calms, weather in the islands is severe, and strong winds and high sea states are sustained throughout the year. This in turn restricts the acoustic access at a bottomed hydrophone to a localized field. First, a combination of thermal structure and a very gradual bottom slope result in high propagation losses. The character of sea-noise in the area seems to be shaped to two factors. There was good correlation between wind velocity and ambient noise at 800 and at 1000 cps. Although no seasonal changes occurred in the upper spectrum, day-to-day variations in level at the higher frequencies generally followed patterns of change in local weather. The annual excursion in level from winter high to midsummer low was about 5 db at 50 cps and 3.5 db at 100 cps. Seasonal changes were observed in the spectrum below 400 cps. Also, the pressure levels at frequencies above 100 cps are considerably higher. The noise spectrum was found to be relatively flat compared with the spectrum measured in deep ocean areas of the western North Atlantic. Matching observations of wind and weather were coordinated with the noise data. Amplitude levels were measured at selected frequencies in the band 30 cps to 1 kc. Twenty minute samples of single hydrophone outputs were recorded during daylight hours about every 3 days over a 4-year period from the summer of 1957 to 1961. Shore-terminated, omnidirectional hydrophones, bottomed in 240 and 350 fathoms, were used. Measurements have been made of ambient sea noise north of the Shetland Islands in the southern part of the Norwegian Sea. ![]() What’s great about this spell is that it applies the damage to natural attacks as well. 4 casts of it gives you 4 elements – so a further 2 procs of Elemental Barrage every attack. Second is the 5th level arcane Transmutation spell Geniekind, that gives you d6 elemental damage. This by itself gives you 1.5 Elemental Barrage triggers every attack. First is this weapon:Ĭan be found in the Old Wing of Areelu’s Lab in the secret room. There are two ways to have lots of elemental damage. You deal cold damage, the enemy was primed so Elemental Barrage triggers. You deal fire damage, it primes Elemental Barrage.ģ. 24h Haste, Displacement, Greater Invisibility will make you hate regular puny mage buffs in the futureĢ.Pounce tends to bug out if you put Charge on autocast so a bit of microing is still needed.Not enough skills to realistically go for secret ending.Screenshots include Incorporeal Charm – it will work without it, but I wanted 100 AC.There are a few optional bosses you have to visit later.You will pull out your hair until level 9 spells (bad initiative).Incredible clear speed, constant uptime. ![]() You only need to care about STR and CHA, they give you absolutely everything.Lich provides very good buffs and valuable immunities for a melee character.Very good staying power, especially after transformation.It’s a gish build using arcane buff spells to provide defenses and Elemental Barrage to deal incredible amounts of unresistable damage. Through this transaction, both 123RF and Autodesk aim to develop and enhance Pixlr to inspire more users worldwide.” As seen on Pixlr blog Ĭreating a photo or a design for your projects doesn’t have to be time consuming, overpriced and complicated. “Autodesk remains committed to providing tools and services that can help anybody make anything, and we will work with 123RF to ensure that the Autodesk and Pixlr user communities continue to have access to the broadest set of design tools.”Īndy Sitt, founder and chairman of Inmagine Group and 123RF added, “It’s a game-changing collaboration that empowers creatives with seamless access to free and affordable content within their favorite free image editing tools. “As part of our ongoing business model transition, Autodesk has decided to focus development resources on our core product portfolio, so we were pleased to find in 123RF a partner who is committed to supporting the Pixlr community and investing in ongoing enhancements to the product,” said Thomas Heermann, Autodesk senior director, digital arts. Since acquiring Pixlr in 2011, Autodesk has invested to expand the portfolio and bring powerful editing tools to millions of users around the world and in the process, grew the user base twenty-fold. Pixlr’s tools are built to enable non-professionals and professionals alike to create, edit, and share images online via social networking services or utilize in various creative works. Pixlr was started in Sweden in August 2008 and offers a suite of cloud-based image editing tools and utilities (web and mobile) such as Pixlr Editor, Pixlr-O-Matic and Pixlr Express. By the end of this article, you will know how to get this deal, what the pricing of Pixlr is and how to use this awesome photo editor, along with its X and E features. For a limited time you can get the Pixlr Lifetime Deal for $49. Pixlr is a photo editor and graphic design tool for making professional-looking designs in just a few clicks. |
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